LITTLE KNOWN FACTS ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928).

They tend to be craving romantics, using this type of change: Buster would seem a plausible mate, as well as the Tramp hardly appears to have a libido, only idealized notions. If their comedies had been built in a more liberated time, it can be done to imagine Keaton in bed with a girl, but disquieting to think about the Tramp as a sexual becoming.